Week13: Catering update

Still waiting on the sponsor team to contact some of the sponsors for food,
Natasha has reported back that she will be driving out to some of the sponsors to talk to them

week13: update

I still have shading on the last few pages, however, I have started colour on the first 6

Also separated from 6 to 12 in Photoshop files

Week 12: Rotoscopint

First COMP: Green Screen

I did encounter a problem, that being during him waving, the green screen showed through.

COMP 2: Rotoscoping

Make a new comp
Double click new comp
Rotoscope tool
Select desired object ]

Week12: Last Lap?

From my other experiment I haven't been unable to create a better one than my First experiment,
The first one introduces the setting of the area they are in panning down of a shot to both of the characters,
My aim was to set up a situation where you think one of the characters is in trouble, only to reveal that the situation is being handled or to reveal that everything is alright.

I still want to expand upon My first Experiment with another variation using a technique used in Ruby's introduction for comedy.
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1.1 (The original)
Establishing shot of Ezaru flying down and landing, she stalks up on Ace appearing to be hunting only, to surprise him and it turns out that they know each other and are ok 1.2
Same and 1 but with a lower angle on the stalking

Experiment 1.1.3:

Establishing shot of Ezaru flying down and landing, she stalks up on Ace appearing to be hunting only, she get ready to pounce

Cut away to

All roughed up.
Ace on the ground face in hands
“You bloody moron Ezaru,”
“How was I supposed to know the cliff would collapse,  how was I supose to know that rock whiler would show up”
“THE WHOLE REASON WE ARE HERE IS TO HUNT IT DOWN EZARU!!”

Week12:

Catering week 12:

So far I have created a template with all the things I think I needed, I was only taking into account my previous experience in catering and didn't really account for how many people might show up, I have been told to use this as a starting base.

I have also contacted Sponsorship team to find out their progress with getting sponsors for the catering, they have a list but have yet to ask. So now I must wait for them to make contact, before I can know who we have and what they will offer us.

This will help I will also have finger food, so for now that and drinks will be our priority until we know who we can have for sponsors and what we will get from them.

Week12: AHHHHHHHHHHHHHHHHHHHHH regret

Experiment 2.1:

Ezaru Encountering a set trap

Setting of a deep forest, panning to, showing the covered trap from above, a mouse is tied up to a prong, 

from the bushes emerges ominous eyes, growling, in a split second (cam cut)
The dragon pounces on the mouse, and the trap is set (cutting as it closes)
Moma dragon finds the baby ezaru, who is yowling, she breaks the trap scolding baby Ezaru.

Experiment 2.2

Ezaru returning to the nest after leaving Ace, 

and she keeps seeing him in the room (though the environment)

Light pouring through the entrance of the nest A shadow show up through the door, looking ominous, for Ezaru to tenderly walk in (looking down on her)
She jumps onto her ledge and looks towards the door expectantly, (like a doggo)

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I keep looking at the plot, I have no idea how im supposed to do this, so far the only one i'm happy with is 1.1.5
I ended up doing two characters for the first, 

I'm finding it hard to create an introduction for them, Trying for one Could work, 2.1 was more introducing baby ezaru and her mother, more setting up for her Mother,

I think I need to introduced one then one, as in RWBY they introduced one main character at a time giving time for us to see how the character interacts and works, I still believe my 1.1.5 Best reflects this
I currently have 3 animatic, intros and 5 written intros,

 (written out some don’t make sense)

Experiment 1.1.3:

Establishing shot of Ezaru flying down and landing, she stalks up on Ace appearing to be hunting only, she get ready to pounce

Cut away to

All roughed up.
Ace on the ground face in hands
“You bloody moron Ezaru,”
“How was I supposed to know the cliff would collapse”
Ace is not Impressed.

Week11: Experiments to follow

List of things for Inspiration:

• Character connected to a colour
• The clip connects to the situation of the character
• The first scene sets up the setting of where the character is
• The background containing things that show the characters interests
• Majestic quotes that have something to do with character
• Heavily connected to music
• Two scenes reflecting each other
• Memory shown as a reflection
• Shrouded in mystery first, then reveal the character
• Setting is shown before character.
• Playing with character size diffrence

I am going to cut down to one character, as I believe that It will allow me to focus one just introducing one character, rather then figuring out both.
The reason for this is that for having two I would refer to the status Quo of the characters in the story, however this is not yet set (plot still in development. So I think it will be easier to create an introduction in  a scene or setting that is already set

Having one will also allow me to exclusively focus on the characteristics of one character, In the first episode of RWBY even the main characters are introduced one by one, rather then at the same time, while it is possible to do two at the same time I believe that doing one, will allow more focus on said character, while two will thin the attention.

Experiment 2.1:

Ezaru Encountering a set trap

Setting of a deep forest, panning to, showing the covered trap from above, a mouse is tied up to a prong, 

from the bushes emerges ominous eyes, growling, in a split second (cam cut)
The dragon pounces on the mouse, and the trap is set (cutting as it closes)
Moma dragon finds the baby ezaru, who is yowling, she breaks the trap scolding baby Ezaru.

Experiment 2.2

Ezaru returning to the nest after leaving Ace, 

and she keeps seeing him in the room (though the environment)

Light pouring through the entrance of the nest A shadow show up through the door, looking ominous, for Ezaru to tenderly walk in (looking down on her)
She jumps onto her ledge and looks towards the door expectantly, (like a doggo)